Léa Winger is a performance artist, actress and writer.
She has written for the stage:
Idiosyncrasie (2020), the story of a person who learns that they have terminal cancer, that they will die imminently, and who chooses, in order to extend what remains of their life, to see only the most boring people possible and to engage in absurdly repetitive activities.
Parking Ghost Girl Speaks (2022), a poetic monologue composed of fragmentary texts, narrated by a ghostly young woman from an abandoned car in an underground car park. From her emerges a subjective voice marked by hunger, desire, fatigue and lucidity, exploring relationships where love, predation and care intertwine beyond normative frameworks.
Prenatal Tale (2025) opens with a crime: the dismemberment of her lover, who has offered herself as an offering so that, through a meticulous reading of her skin, we may be reminded of the importance of listening and attention to detail, without which love is impossible. Skin is the central motif: it is a sensitive and political surface, memory and territory, bearing the traces of the existing world and of those that preceded it. It is also an ode to slowness, gestation and creation.
She has also written for music and has published texts in fanzines as well as in journals in France and Argentina.